It takes a while to feel immersed in this Sydney-set drama, following a woman investigating her friend’s death – but there’s a lot to appreciate here
n theory, I should’ve relished creator Lucy Coleman and director Bonnie Moir’s Sydney-set mystery series from the start, with its sophisticated performances, multi-dimensional characters, and considered approaches to challenging subjects such as violence against women. Coleman and Moir avoid many traps lesser productions fall into, from too-neat dialogue to trope-shackled writing.
But it took me a long time — about four of the six episodes — to feel truly immersed; I wonder how long most viewers will last. The decision to separate Exposure into roughly 30 minutes was an odd choice for thisThe show charts the emotionally turbulent journey of Alice Englert’s Jacs, a 27-year-old photographer determined to unearth details around the death by suicide of her best friend, Kel .
But the pacing in this series is a little off, with an airiness that loosens some of the key dramatic pivots. Coleman’s script avoids going over these with highlighter pen, which of course isn’t necessarily a bad thing, but it does engender a circular momentum that sometimes extracts the pith from the drama, loosening its impact.
There’s a lot to appreciate here, nevertheless. Coleman also wrote and directed the under-appreciated Australian comedy film Hot Mess, and Moir directed the
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