A new exhibition explores how travel, art, trends, and trade forever changed Cartier and the jewelry world.
. “Dallas is such a diverse community,” Arteaga said during the preview, noting the growing Muslim population in the city. “We want to create exhibitions that reflect those constituencies.”The exhibition was always planned as a three-way collaboration with the Musée des Arts Décoratifs in Paris.
The exhibition does a beautiful job of drawing out the variety of influences that were in the air at the time of some of Cartier’s most iconic creations . Chinese jades, Indian jewelry, and the arts and architecture of the Islamic world are cleverly diagrammed and dissected to show how they relate to Cartier pieces like Wallis Simpson’s 1947 amethyst and turquoise bib necklace, one of Doris Duke’s diamond bandeaus, or a three-tiered carved emerald brooch belonging to Marjorie Merriweather Post.
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