Aftersun, Triangle of Sadness, and Women Talking were also on the New York Film Festival's slate.
There are great performances, and then there’s the kind of possession that Cate Blanchett evinces in. Blanchett plays Lydia Tár, the kind of superstar conductor who can command a crowd by sitting down for ainterview at Lincoln Center. Early scenes establish Lydia’s possession and power—during a lecture at Juilliard, she dresses down a Black student who says he can’t take Bach’s music seriously as a result of the composer’s misogyny.
Conversations about cancel culture so often frame things in extreme terms for the sake of catching those Substack subscriptions and Twitter likes; they tell people exactly how to be outraged. But Field conducts discourse like a symphony. Blanchett’s tics-and-all embodiment of Lydia, who leads her orchestra with her full body and soul, is astounding. It’s just another day in the office for her, but if she doesn’t get the Oscar for this, a robbery will have taken place.
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