Few victims of the Holocaust left behind such a methodical and memorable record of their life as Charlotte Salomon, a native Berliner who died in Auschwitz at age 26. As if anticipating that premat…
What might have seemed a familiar if sad drama in live-action form benefits from this relative novelty of presentation, which lends a certain universality, as well as heightened viewer access, to Salomon’s story. But the rather pedestrian animation here also makes “Charlotte” a bit of a disappointment: The film seems to take little inspiration from its subject’s much bolder, more distinctive visual style. Good Deed Entertainment begins opening the multinational coproduction on U.S.
As an aspiring artist, she is soon thrilled to gain acceptance to the local art academy, though their gesture of tolerance towards a Jewish applicant is already a risky move unlikely to last long. Meanwhile, she fixates romantically on the voice teacher tutoring her classical singer stepmother , though that stolen May/December affair is likewise short-lived.
“Charlotte” unfolds in straightforward, engaging fashion, its partly-conjectured biography advancing via to-the-point scenes and dialogue — Salomon was not, by all accounts, much of a talker. Inevitably, there’s a terrible sense of needless loss, the terror of Nazi persecution exacerbated by our heroine’s realization that mental illness and suicide have run through her family bloodline.
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