Colm Tóibín Knows What Moves the Heart

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Colm Tóibín Knows What Moves the Heart
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From our upcoming Fall issue: the Irish author ColmTóibín talks to his friend, the American artist KikiSmith, about their creative impulses and how art gets made when you leave the ego out.

, an imaginative, exquisitely researched account of the public and private life of the great German writer Thomas Mann. If every novel is a conversation between author and reader across time, Tóibín brings it full circle. He takes us back to Mann’s age, where we meet an ambitious, closeted artist at the turn of the 20th century, mixing in German aristocracy and bohemia, just as the world was turning “modern.

SMITH: Beautiful. I think about pollinators a lot—nighttime pollinators as opposed to daytime pollinators. I’m making a little chapel for Mary, and for me, Mary has a fierce command like the kind you see in American nuns. A command to social justice and social responsibility. And she also has a hidden fierceness, like the moon does. Last night there was a full lunar eclipse. It was a big blood moon, but you could only really see it from the West Coast.

TÓIBÍN: When I write about love, it’s always about loss. That other L-word is always there, wrapped around it in some way. I’m in Dublin now, and I’m only starting to write about this city because I’m away from it more than I’m here. So suddenly it’s appearing to me as history, as something lost, as something I can almost see. Whereas I can do that much easier with Enniscorthy, the town where I’m from, because I left that place long ago.

TÓIBÍN: One of my closest relationships these days is with my oncologist, who I saw today. Everything is fine, but I have to see him every six months. The first time, he had to show me where the cancer was on a scan. And I said hold on, I can’t work it out. What perspective are we seeing my body from? It’s like holding carpaccio of yourself in your hands.

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