Danger Mouse Has the Cheat Codes

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Danger Mouse Has the Cheat Codes
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Danger Mouse on nudging mainstream artists past their comfort zones, creating a unified vision of popular music, and working with brilliant minds we’ve lost, like MF DOOM and Sparklehorse’s Mark Linkous. A long talk with CraigSJ

but we really didn’t dig in on the album. Years were going by, and we just decided to put out those two songs. Then we had to jump in and do this one. To me, not to be hyperbolic, but James, as a songwriter and a melody person, is one of the greats. Period. I’m really close to it, but I think that’s going to be pretty clear in years to come.

You’re someone whose music is inspired, I think, by film and film music. Do you see yourself in a Trent Reznor capacity, doing soundtracks in the future? In those days, being into a lot of different kinds of music meant you probably had several friend groups you were talking about all of it with. In the early 2000s, I saw Fugazi and I also tried to talk friends into the first Justin Timberlake record. I was into, like, Blur and indie rap and indie rock at the same time, and you were pushing all those wires together.

I don’t generally take advances from labels and then make the records with it. I will make a record and then see who wants to buy it afterward. That’s a funny thing to say when you’ve done the huge Black Keys records and worked with Adele. The notion that you could get in there and fuck something up at this point …, I said to her, “This is probably gonna be your worst-selling record.” I really love that record. But I knew. You’ll understand this, I think. I don’t want to be the producer of a certain band. It’s happened where I’ve done multiple albums with the Black Keys. It happened with Michael Kiwanuka. But Michael was great.

It was right around that time, too. I was nuts. I was doing so much stuff. I stopped DJ-ing around that time, too. Hip-hop was changing in a way that I wasn’t connecting with as much myself, and I wasn’t going to fake it. The music I was connecting with more was mostly psychedelic music.album with Mark Linkous from Sparklehorse strikes me as this wild time.

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