Dave Grohl hasn’t sat still for more than 30 years, so it’s not much of a surprise that he’s ended up creating and starring in his own feature film. As Pat Smear, one of the founders of L.A. punk l…
KISS Meets the Phantom of the Parkrockers move into an Encino mansion steeped in grisly rock history to record their much anticipated 10th album. Once in the house, Grohl finds himself grappling with supernatural forces that threaten both the completion of the album and the lives of the band.
DEADLINE: You’ve always seemed to enjoyed making music videos, even as far back as in 1995 with the Big Me video. This seems like an extension of that. From day one, we’ve always felt that the music and performances are most important. Everything outside of that just seemed like candy commercials to us. We always laughed at people that took themselves a bit too seriously, in that commercialization, in that promotion of some image that might not necessarily be themselves.
I thought, in true Foo Fighters fashion, we’ll just blast through it and make it something very light-hearted. That’s where it began. After I was demoing the songs in that house. I was setting up the demos for the producer, he said “Where are you recording this, the drums sound amazing”. This is a big joke in the film. When you see someone walk into a recording studio, the first f*cking thing they do is clap to hear the acoustics. Everybody chooses a studio by the drums.
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