The New York-based artist recently unveiled a mural blanketing the facade of MOCA and a magic-imbued show at David Kordansky Gallery.
and other local creatives lent their talents to transform the typical gallery experience into something uncanny, eccentric and educational.
“I started thinking about magic as an allegory for privilege,” he says. “You know the Kyle Rittenhouse verdict? The young man who murdered those people? He’s out! I have friends who have done more time for far less than murder, so that felt like a magic trick. Like, ‘Wow! How did he“There is something about my vantage, as a Black person living in this society, where the rules just seem to change conveniently in ways that affirm the white supremacist structure in which we operate.
A small black-and-white television mounted on the wall plays vintage footage of a televised performance by magician. Below it, a podium holds an upturned top hat filled with a fresh floral bouquet. Here, again, the artist offers a sneak peek of what awaits beyond the entryway. Each week, Harris creates a different “floral portrait” inspired by the exhibition’s paintings. The two collaborators have dubbed the podium space “the Top Hat Residency.
“Cargo,” by Derek Fordjour . The painting is made from acrylic, charcoal, cardboard, oil pastel and foil on newspaper mounted on canvas. A gallerygoer sits next to Derek Fordjour’s painting “Birth of Showtime,” an homage to Magic Johnson. “I want the audience to lose themselves in the magic and, just for those moments, let it overtake them,” she says. “I want them to feel the sense of wonder, pain and seduction that’s all inside of the show.”
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