Maximilian Davis' sophomore coed collection for Ferragamo was sleek and buffed to a high polish.
As a new strain of minimalism gathers steam in Milan, the eye felt more ready for what Maximilian Davis has been dishing out since arriving at the creative helm of Ferragamo last year.
The designer opened his display with a vaguely cocoon-shaped navy woolen coat with a dramatic throat latch, cueing up the clean, geometric shapes, either columnar or rounded, that defined the fall collection. Tailored coats and suits were mostly tubular, and in dark colors, with white or red flashing from elbow seams, sleeve piping, lapels or filmy, removable cotton hoods, their fasteners splayed over the shoulders. This graphic approach to color, a Davis signature, is what gave otherwise plain clothes a bit of zing.
For variety and a bit of outré glamour, there were big shaggy coats in red or leopard spots; clinging Lurex minidresses with ruched bodices, and high-shine patent, sometimes worn head-to-toe. For the younger set, he reprised some of the activewear archetypes and utility details employed for his debut.
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