Filmmaker Bo Goldman Rewrote Our Idea of What Movies Could Be

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Filmmaker Bo Goldman Rewrote Our Idea of What Movies Could Be
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“His films were wittier, more knowing, more sophisticated, more deeply entertaining, and thus more exciting than the work of almost any other writer of his generation,” Ronald K. Fried writes.

I once had dinner with the great screenwriter Bo Goldman, who died this week. Bo’s oldest daughter Mia is an old friend of mine, so one night in the late ’70s, while I was still in college, I was invited to join her and her dad at the Café des Artistes. Bo had just won an Oscar for his work onMy impression back in the day—and my memory now—is that dinner with Bo was somehow like playing in a sandbox with the smartest child you’ve ever met.

Bo always spoke of himself as a “filmmaker” rather than a screenwriter, and his work challenged accepted ideas of what a movie could be. His films were wittier, more knowing, more sophisticated, more deeply entertaining, and thus more exciting than the work of almost any other writer of his generation. And they were filled with great lines.

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