This article profiles the acclaimed actress Florence Pugh, known for her captivating performances in a range of films. It delves into her rise to fame, her acting style, and her upcoming project, 'We Live in Time,' a poignant romantic drama.
It is mid-afternoon in London, but Florence Pugh looks ready for bed. The English actor has ditched her socks and shoes and is curled up on a sofa wearing a pair of sleek black pyjamas decorated at the cuffs and hems with white silk poppies. Her bare feet are covered by a small rug which, she informs me, belongs to Billie, the rescue dog she adopted during lockdown with her former partner, the American actor and filmmaker Zach Braff.
It is unclear whether Billie is waiting patiently for his mistress in another part of the smart hotel, or if the rug is her way of feeling connected to her absent pet. There are, in any case, more important things to discuss. Hollywood has no shortage of prodigious female talent, but 28-year-old Pugh stands out regardless. Ten years since she was plucked from the sixth form of her Oxford school to star in, a mystery-thriller about an all-girls school plagued by a fainting epidemic, she has built a storied reputation for playing complicated women whose outward confidence masks deeper fears. The fact she’s done so in films ranging from indie hits like 2016’s, is the reason she’s now breathing the same air as chameleonic A-listers like Emma Stone and Anya Taylor-Joy. We Live in Time stars Florence Pugh and Andrew Garfield as a young couple for whom time is running out., a film in which she and Andrew Garfield (another actor whose work runs the gamut from cineplex superheroes to intense indie roles) play a pair of young Londoners navigating life, love, parenthood and serious illness. Pugh is Almut, a Michelin-starred chef. Garfield plays Tobias, a strait-laced IT executive at a cereal company. The film, one part Richard Curtis rom-com, two parts heart-wrenching drama, employs a time-hopping narrative to create a patchwork quilt of memories and experiences. The producers call it “an exhilarating new take on a classic romance”. Everyone else is calling it a weapons-grade “weepie” that leaves you in bits by the time the credits rol
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