This year’s awards season kicks off with big screen frontrunners such as The Brutalist, Wicked and Conclave while on the small screen, Shōgun and The Bear lead the way
This year’s awards season kicks off with big screen frontrunners such as The Brutalist, Wicked and Conclave, while on the small screen, Shōgun and The Bear lead the wayView image in fullscreenPlease turn on JavaScript to use this feature: "Today I celebrate this as a marker of my wholeness and of the love that is driving me, and for the gift of doing something I love, and being reminded that I do belong.
The whole thing – sounding like a good Oscars race pitch! – shows, as he says, that “we can still make art that’s a radical act of optimism, that is empowerment and that is joy.”“This is such an American experience,” says the composer Camille, accepting with her musical and real-life partner, Clément Ducol, for the breathy track about corruption sung in the film by a righteous, infuriated Zoe Saldaña.
And he thanks three pivotal people lost during the making of the film: his grandfather, his grandfather’s brother and the late film and television producer Kevin Turen. Another surprise, given that Sundance breakout A Different Man is a dark, difficult film, and decidedly very un-Globes.
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