Adapted from the novel by Jennifer E. Smith, director Michael Lewen’s “Hello, Goodbye and Everything in Between” captures adolescent interactions and intelligence through an empathetic lens. But ev…
adolescent interactions and intelligence through an empathetic lens. But even though this Netflix original doesn’t condescend to its targeted teen audience, it fails to surmount basic issues dealing with narrative credulity and the outcome’s predictability.
But Clare’s world shifts when she’s dragged by her encouraging bestie Stella to her first Halloween house party, meeting Aidan in the process. The pair share an instant connection, trading witty banter, flirting through crowds of classmates and spending the evening chatting at a nearby playground — a symbol of leaving childish things behind.
However, for as much as Clare and Aidan let personal fears guide their union to its intended ending, the duo simultaneously struggle with letting the love of their lives go, confronting their individual flaws and foibles in order to evolve and grow. Yet it’s the pair’s retracing of their past in their final hours together that will ultimately reshape their future.
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