There's only one Queen of Argentine Trap!
Cazzu understands the business as few people do, but not in terms of manufacturing, but rather as art. "I rely on my music a lot, because it is what gives me power, but nothing came out of somebody else's head but mine," she said. She sits at all the tables where she talks about her next moves, and she will never leave a room with the feeling she missed the chance to say something.
Her three shows at the Teatro Opera on Buenos Aires sold out in two days, and she is scheduled for a show at the mythic Luna Park Stadium in March 2020. For the September cover story of Billboard Argentina, Cazzu talks about the influences of Argentine trap, her relationship with the genre, what happens when pop uses urban elements and writing her own lyrics.There are many that we respect, but I sincerely believe thatis the school.
You have folklore, cumbia, rock, dubstep, nu metal, but your passion is reggaeton. How did you get to the genre? At first, there was a rift between reggaeton with the world of hip-hop. I had to get mad at hip-hop to express myself in reggaeton, because it was as if you were betraying him. For me, inwardly, that fight never existed, because to be a reggaeton player, you had to have been a rapper before. Today, you can start your career with reggaeton, but at that time, you had to have necessarily been a rapper before.No.
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