Behind the movies, painting and meditation, David Lynch was a gifted director whose work leaves us with more questions about ourselves than it answers.
Knowing I was such a fan of Lynch’s work, the Australian actor Eamon Farren – who Lynch had cast as the unstable Richard Horne in hisreboot in 2017 – gifted me the bag of Lynch’s own-brand coffee that the legendary director had given him.
He had the easy manner of a man who was, to some extent, unaware of who was who in the room, or where everyone sat on the Hollywood pecking order. Which made all of us – journalist, publicist, assistant and waiter – equally fascinating to him.contained many story parallels, he listened attentively and assured me I was on to something. Was he humouring me? Perhaps. He insisted the question would preoccupy him for the rest of the day, which may or may not have been true.
Lynch painted lurid cinematic images, but in truth he assembled these mosaics out of the most ordinary things; a sort of nostalgic Americana, but one he twisted into an exquisite grotesque.Twin Peaks
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