‘I want to unleash rage’: Iranian exile Shirin Neshat on her film about veils, prison and rape

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‘I want to unleash rage’: Iranian exile Shirin Neshat on her film about veils, prison and rape
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The artist is returning to the inflammatory approach that caused a storm in the 1990s – with a harrowing film about a woman the Iranian authorities try to crush (warning: images contain nudity)

‘I have no regrets’ … Neshat, whose new show is called The Fury, in her Brooklyn studio. Photograph: Maria Spann/The Guardian

But Neshat’s new video, The Fury, sees her reprising the urgency and confrontational approach of earlier work. The 15-minute film – an erotic, psychological drama influenced by Pier Pasolini’s Salò, or the 120 Days of Sodom – is a highly stylised fiction, again shot in black and white. It centres around a female protagonist, played by the Iranian-American actor Sheila Vand, who starred in the Oscar-winning Argo.

Although The Fury’s release coincided with the height of the protests in Iran, Neshat began working on the film in 2019, after the trial of Hamid Nouri in Sweden. Nouri, an Iranian official, was found guilty of playing a key role in the torture and massacre of thousands of political prisoners in 1988. Estimates put the number of dead at between 1,000 and 30,000.

The new works have such an intensity, they feel personal. I ask Neshat if she has ever experienced abuse. “Most women have been sexually assaulted,” she says. “When I was young, people molested me and my sisters and we never talked about it because it always came back to us. YetBy making a work so directly about sexual violence, the artist wants viewers “to unleash our own rage. Whether it’s a photograph, video or film, my highest aim is to create intense emotions.

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