As Lily Collins’ ingenue in Paris embarks on her fourth series of adventures, two critics argue why it’s OK to love – or hate – the show.
has been sparking lively debate since Lily Collins’ fashionably attired ingenue first walked into her dream job in the French capital. Now embarking on its fourth season, we asked two of our critics to explain how they really feel about Emily.is ridiculous. A cream puff of a show – the profiterole of streaming – with rampant product placement and an optimist’s view of Paris. But who cares? It’s supposed to be light as air, a Parisienne postcard where women take the lead.
On the great fromage board of streaming, there is room for all tastes, sizes, and shapes. Emily is a Brillat-Savarin triple cream brie that happily exists with a semi-hard sheep’s milk cheese . Wash them all down with a glass of Champere Champagne from Camille’s family vineyard, and you’re good to go.
However, watching this all play out, I only felt a surge of relief for Camille. Finally, someone trapped in Darren Star’s highly sanitised Parisian wet dream had seen the light and made a run for it. With any luck, Camille’s bravery would trigger an uprising, and the rest of the cast would join her in hiding. You know, Vive la revolution and all that.has become a sport of sorts, but let me go on record as saying I didn’t always feel this way.
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