'The U.S. and the Holocaust' employs familiar Ken Burns methods. There are celebrity voices reading the words of historical figures — this time, the voices include Meryl Streep, Paul Giamatti, Liam Neeson and Werner Herzog.
. Photographs are used patiently and poetically, revealing new elements as they pan and zoom in and out. Music and sound effects make every moment both more real and more emotional. And a Ken Burns documentary series always starts with a clear-cut summary of things to come — provided, this time, by frequent Burns narrator Peter Coyote.like many Ken Burns history projects, examines his subject from the bottom up. Instead of interviewing military experts, he talks to survivors or their relatives.
The documentary spends a great deal of time delving into the intricacies of national politics — not only in Germany, where Adolf Hitler rose from prison to dictatorial power, but in America, where waves of isolationism kept the U.S. out of the war for years. It shows that most everyday Americans were not unaware of what the Nazis were doing in Europe. Throughout the documentary, we see newspaper headlines proving that the facts indeed were out there.
The opening installment, which premiers on Sept. 18, stops in the year 1938, and part two goes up to 1942. The concluding two hours cover the end of World War II, and its aftermath — the formation of Israel, the Nuremberg war trials, even the invention and introduction of the word"genocide." It's not until the final five minutes that the story is brought fully up to date. But those final sounds and images that conclude— scenes with which we're all too familiar, of hate crimes and hate-filled marches — connect the past to the present without Coyote, or anyone else, having to say a word. Once again, Burns and company have made history come to life — and reminded us that our life, right now, is indeed history in the making.