' 'Glamorous' is one of the most queer-positive shows I’ve seen, which is long overdue for a series like this one,' kpfallon writes about the new Kim Cattrall show.
It’s also, regardless of tabloid drama, a treat to watch Cattrall in another role as suited for her as Samantha was on. Madolyn isn’t outwardly sexual in the way that Sam was, but she wears the same assuredness as a mask for her vulnerability; that Madalyn heads a successful makeup company, then, is an apt metaphor. There was a moment when Cattrall, as Madolyn, raises her arms, tilts her head, and smirks, while raising her shoulders.
on Broadway the same week as New York City Pride was intentional. Otherwise, it would rank among theater’s best accidental marketing wins. The show, you see, is a jukebox musical featuring all songs from Britney Spears’ music catalog. That on its own would warrant its status as a queer hotspot, but then there is the plot: A slew of fairy-tale princesses, led by Cinderella, are radicalized after reading Betty Friedan’s. Does it make sense? Very little. Is Britney Spears actually mentioned in the show? Not once.
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