An inside look at the animated short.
— it was a fitting place for trying his style on-screen, which I hadn’t really seen done in a long time. From my very first pitch, I came in with a lot of artwork that beckoned back to Moebius. And I said, “I believe in this story because of its psychological elements, because of its communing with the outside world,” which is kind of thematic to Moebius and his work, especially his“It lent itself really well to this psychedelic visual style.”There was a lot of brainstorming.
So Polygon Pictures in Japan, they’re fantastic. And I give them incredible amounts of praise for all their hard work. But they come from an anime background, and so, bringing in this whole different style, which is very French, we actually had to work with some French artists to do some concept art to begin with, just to kind of demonstrate the difference in sensibility.
Also color was a big conversation for us. And I’m very proud of the color work that was done on this piece. Solid sulfur is yellow, and when it is molten, it glows this kind of iridescent blue color. And so, we used that as the template for our entire color script. And the entire journey of the story through color is this midday to night kind of color palette, which I wanted to do because I wanted to show how, when you see it from a different perspective, you see it completely differently.
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