Candy adds “Cover up murder” to her already long to-do list.
left off with an ax looming in the foreground. We all know what Chekhov said about an ax looming in the foreground of the final scene of an episode of true-crime prestige TV: It’s an opportunity to tease a sense of dread out of the audience while tacitly insisting that this isn’tterritory. Accordingly, “Do No Evil” walks us right up to the moment of Betty Gore’s death without actually showing it onscreen. At least, not yet.
Whatever then transpires between Candy and Betty, however, is partially omitted, with a cut to a ringing phone and Allan on the other end, then a child across the street blowing on a pinwheel as Candy emerges, roughly showered , but with some blood still dripping from her hairline. She seems to need to remind herself how to drive a car before pulling away.
Meanwhile, the Gore-residence phone keeps ringing without her: Allan is trying to reach his wife and increasingly panicked about her not picking up. He sends a neighbor over to knock on the door to no avail. He doggedly keeps at it, eventually gathering a multitude of neighbors and asking them to get into the house however they can manage. What the trio find is, as we expect, horrific: a dead Betty, a crying baby, and a whole lot of blood.
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