According to the lawsuit, “Love Is Blind” contestants should have been classified under California state law as employees rather than independent contractors because producers dictated the timing, manner and means of their work.
labor-law violations, including fostering “inhumane working conditions” and paying cast members less than minimum wage.
During the production, producers paid contestants a flat rate of $1,000 per week — despite forcing them to work up to 20 hours per day, seven days per week. That works out to as little as $7.14 per hour, well under the minimum wage in Los Angeles County of at least $15 per hour, according to the complaint.
Hartwell’s suit seeks class-action status on behalf of all participants in “Love Is Blind” and other non-scripted productions created by the defendants over the past four years. Payton Employment Law estimates the potential size of the plaintiff class to number more than 100 individuals.According to Hartwell’s suit, the show’s contracts required contestants to agree that if they left the show before shooting was completed, they would have to pay $50,000 in “liquidated damages.
Kinetic Content, in addition to “Love Is Blind,” also produces the reality shows “The Ultimatum: Marry or Move On,” which debuted this year on Netflix, and “Married at First Sight,” which was created in 2014 and airs on Lifetime and streams on Netflix.
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