Luke Combs’ ‘Love You Anyway’ Explores a Rock-Solid Broken Heart, With an Instrument ‘That Takes the Track Over the Top’

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Luke Combs’ ‘Love You Anyway’ Explores a Rock-Solid Broken Heart, With an Instrument ‘That Takes the Track Over the Top’
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This week’s “Makin’ Tracks” centers on this heartbreak ballad written by Combs, Ray Fulcher and Dan Isbell.

In that context, the opening words of Luke Combs’ single “Love You Anyway” — “If your kiss turned me to stone/I’d be a statue standing tall in ancient Rome” — provide a sense of the relationship the song portrays: significant, remembered but broken.

Songwriter Dan Isbell was moved by that remark, and he logged it as a potential song title to explore in his next co-writing appointment with Combs. Isbell reached out to fellow writer Ray Fulcher , who responded positively, and the two actually texted later about it as they took separate flights to Key West, Fla., where they co-wrote at Combs’ house on Feb. 25.

“My favorite part of the song is that pre-chorus where it does that kind of scaling,” says Fulcher. “I’ve always thought of that melody as more of like a pop kind of melody, but it’s also haunting in a way. Those pre-choruses, in order to be right, they really need to set up what’s coming next.” “The thing about the compass is there’s nothing you can do to change where north and south, east and west are,” says Fulcher. “It just is what it is. And that’s the character of this song. It’s like, he’s got no choice in the matter. That’s what’s powerful about it.”

Combs recorded a version of “Love You Anyway” with co-producers Jonathan Singleton and Chip Matthews at Nashville’s Backstage during sessions for the“It just didn’t sink in like we hoped, and we had so much other material we were working on,” recalls Matthews. “I remember being at Luke’s house one day to talk vocals, and he’s like, ‘Man, I don’t know, we just didn’t hook it. It’s not feeling right.’”, Matthews didn’t want to let it go.

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