John Galliano married a male and female wardrobe at sea in his spring lineup.
The ghostly green outline of an ocean liner blinking in and out of view in the lobby of Maison Margiela’s headquarters set the scene for a prequel to the chronicles of Count and Hen, the protagonists of “Cinema Inferno.”
Upstairs, the runway show portrayed the characters’ parents, meeting for the first time during their passage to America. Gradually, things loosened. Drapes and creases were laminated to mimick clothes packed too long. Sections of a skirt’s hemline held by tape, or parts of a bustier being shorn away or folded down looked like on-the-go customization. Gendered outfits came to bleed into one another, as elements were repurposed.
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