Meet the Black Millennial art advisor disrupting the status quo:
I have a background in fashion styling but have loved art since childhood. I grew up in Southeast, Washington, D.C., which still, until this day, has a stigma known for poverty and crime. The Smithsonian was my first introduction to art. We didn’t have museums or galleries in our neighborhood. I’m grateful to have had access to ones that were and beautifully curated.
The rest is history. My career segue into art was inspired by the constant need to be surrounded by masterpieces. There’s nothing like a Margiela collection fresh off the runway or the messages that you find in a Robert Colescott painting. These are beautiful works that will live beyond us. I like the idea of having my hand in something that people will still be able to witness 100 years from now. After the meeting at Alison’s studio, I was ready.
I follow @gallerygurls, a curated art Instagram, painter@ninachanel @danielarsham, his creative mind lives in the future just like mine. I love the time he takes to develop his projects. He’s always like “3 years in the making for this!” @cerebral_women is an account that posts work for women by women. Phyllis Hollis, the owner of that account, is impressive. She reached out to me, asking how she could help me grow.
The galleries that I’ve been frequenting most lately have been DeBuck Gallery, Jack Shainman, Jeffrey Deitch, and Monica King, who is such a boss — she does not subscribe to arrogant art dealer stereotype. I am a member of NADA, so I’ve visited some outstanding shows with members like Company Gallery, Jack Barrett, and Sargent’s Daughters. My favorite museums to visit are The Bass and Pérez in Miami, The Hirshhorn, and the National Portrait Gallery in D.C.
Before you get started, think about what you can bring to an advisory that no one else has — that’s your niche. That’s a huge part of your personal brand. Educate yourself on the type of art that you want to sell. If anyone sleeps on you, wake them up!
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