“Meat Loaf embraced a kind of courageous, fuck-it aplomb—he made records that were loud, infectious, theatrical, rebellious, dorky, sex-crazed, and beloved,” amandapetrusich writes.
that he played golf with a crew of men with meat-adjacent names . Humor and intrigue are central to Meat Loaf’s music, which combines the canned bravado of a certain strain of musical theatre with the canned bravado of a certain strain of rock and roll: the notes are long, the choruses are thundering, the gestures are enormous. His début album, the sprawling and preposterous “Bat Out of Hell,” from 1977, remains one of the best-selling records of all time.
Meat Loaf’s intensity made his work feel dangerous. There was a voraciousness—a deep, determined hunger—to his performances that appeared to be unsustainable, and yet he did sustain it. He frequentlyin a frilly blouse, cufflinks, and suspenders. After he got going, his long, thin hair would be plastered to the sides of his face by sweat.
Meat Loaf was born Marvin Lee Aday, in Dallas, the only child of Wilma, a schoolteacher, and Orvis, a former police officer. The origin story of his nickname varies—of course—but it is always tied to his size, and it is always unflattering. Orvis was an abusive alcoholic, and Meat Loaf’s childhood was tumultuous. He said that his father once tried to murder him with a butcher knife; Meat Loaf forgave him. “I have no time for people who blame their parents,” he told a reporter in 2012.
In the late sixties, he relocated to Los Angeles and started a band, Meat Loaf Soul. He was cast in a Los Angeles production of “Hair,” and later appeared in the same role on Broadway. He met the composer, lyricist, and playwright Jim Steinman, who would go on to become his musical partner and spiritual brother, when they each became involved in a production at the Public Theatre. In the mid-seventies, they began working on the songs that would become “Bat Out of Hell.
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