From a career-detonating collaboration with the Rolling Stones in 1969 to a hypnotic experiment with 13-era Blur, Marianne Faithfull’s career was one of reinvention – yet always underpinned by her wrenching, affecting vocals
Marianne Faithfull’s 60s releases were wildly variable, perhaps because she seems to have been beholden to the whims of producers who didn’t really know what to do with her: one minute she was recording rounded-edged folk – Cockleshells, What Have They Done to the Rain – the next retooling the Ronettes’ Is This What I Get for Loving You? to no great effect. But, occasionally, she rose above it all, injecting her cut-glass delivery with an alarming degree of melancholy, as on Morning Sun.
She’s Got a Problem starts out lovelorn but calm, Faithfull singing over a backdrop of acoustic guitar, warm electric piano chords and modish fretless bass, but gradually reveals itself to be a song not about romance but alcoholism: “Will I see whiskey as a mother in the end … will I smash my brains with drinking?” Unsurprisingly, there’s no happy ending, just a blank acceptance of fate.
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