'To me, you have to fight back with glamour. What else can you do?'
No one in fashion can tell a story quite like Michael Kors, with the exception, that is, of—both embody a gregarious, dishy mirth that harkens back to the pinnacle of American glamour, when New York nightlife was a glittery, gregarious melting pot of socialites and Hollywood sirens. It makes sense, then, that Kors’swas inspired by Studio 54—the storied institution where he and Talley were both regulars and where their dreams of being in fashion were calcified.
It was Michelle Obama in the Red Room in the White House. She had on this sweater—cashmere, I assume—and a belt on this huge, extraordinary, long dinner skirt with a bustle and taffeta. I said,“Oh my god, what is that?” Tonne said,“It’s Michael Kors.” I think it’s one of the most extraordinary images of what you can do., she wore a Michael Kors dress. Black, very sleek, sleeveless, no jacket, no frills. We had no idea she was going to wear it.
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