A busy Milan Fashion Week made for big questions, like who came out on top, how to deal with audience expectations, and why so many shows so darn late.
Bottega Veneta was the show of Milan Fashion Week for me. Backstage Matthieu Blazy said he wanted to “make a monument of the everyday.” It’s such a great soundbite, a six-word exegesis of the job of high fashion—to make things that we can simultaneously aspire to and live in.
I enjoyed Fausto Puglisi’s “gentle Cavalli,” admired Francesco Risso’s surrealistic cave-people Marni, was most transported by Matteo Tamburini's venue for his first season with Tod’s, most wanted to shop Simone Bellotti’s Bally, most enjoyed previewing Glenn Martens’s Truman Show Diesel, and most wanted to stay in Prada’s menacing Eden.
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