Rest in Peace. 🕊
Born Monty Noserovitch to Jewish parents in the East End of London in 1928, Norman got his first guitar when he was 16. He performed with big bands and in a variety double act with comedian Benny Hill before writing songs for early British rockers Cliff Richard and Tommy Steele and composing for stage musicals including “Make Me an Offer,” “Expresso Bongo,” “Songbook” and “Poppy.”
Norman was hired by producer Albert “Cubby” Broccoli to compose a theme for the first James Bond film, “Dr. No,” released in 1962. He drew on a piece he had written for a proposed musical adaptation of V.S. Naipaul’s “A House for Mr. Biswas,” shifting the key riff from sitar to electric guitar. The result — twangy, propulsive, menacing — has been used in all 25 Bond thrillers.
Producers hired composer John Barry to rearrange the theme, and Barry was widely assumed to have written it — to Norman’s chagrin. Barry, who died in 2011, went on to compose scores for almost a dozen Bond films, including “Goldfinger” and “You Only Live Twice.” Norman went to court to assert his authorship, suing the Sunday Times newspaper for libel over a 1997 article asserting the theme was composed by Barry. He won in 2001 and was awarded 30,000 pounds in damages.
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