Assemble 100 Hollywood vampires in a room, and they’d have less in common than you might think.
Somewhere between eating a live pigeon, shouting the entire alphabet to his psychiatrist, and skipping down a Manhattan sidewalk shouting, “I’m a vampire! I’m a vampire!” a young Cage exuded the bizarreness for which he would someday grow famous. Was Peter Loew “actually” a vampire? No one knew.
Was Nicolas Cage a “good” actor? In the sense that you couldn’t look away, sure.. The film is more or less a worthwhile endeavor—far better thanNo longer the delusional, plastic-fanged literary agent Peter Loew, this time Cage isvampire. Dracula. Yet for all of Cage’s 34-year transformation, the corresponding shift in vampiredom—from
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