Who knew that using rap music to explore the life of a US Founding Father could be a winning formula? Perhaps only someone as talented as Lin-Manuel Miranda, who has turned the life of Alexander Hamilton into a record-breaking success | GoodWeekendMag
: Miranda is not just the creator, composer, lyricist or librettist, he’s all four . As in the life of Alexander Hamilton himself, undeniable talent combined with truly extraordinary drive have brought their rewards.. Along with producer Jeffrey Seller, who with his co-producers shares in approximately 40 per cent of profits, director Tommy Kail, choreographer Andy Blankenbuehler and musical director Alex Lacamoire have all made, literally, millions.
In fact, the rivers of gold flow right down to the 30-odd members of the original cast and six stage managers, who, after tense negotiations with producers during 2016, also share in 1 per cent of profits from the show.has performed that rarest of all art-related objectives: it’s made a lot of people rich. And not via movie tie-ins or celebrity names or sales gimmicks, but directly via phenomenal grassroots demand for tickets.
Then the show began, and cynicism dropped slain onto the patterned carpet of the Richard Rodgers Theatre. Suddenly I was in a world of 18th-century buckskin and broadcloth, enclosed by a burnished wooden set arching like the ribs of a ship, backed by an orchestra containing viola, violin and cello. Whatever I had been expecting , it was not this.is, essentially, the story of Alexander Hamilton’s life – which, despite being an extremely adventurous one, is pretty much the standard stuff of drama.
And Leslie Odom jnr, an African-American man of great elegance who won the best actor Tony for his portrayal of Aaron Burr , once said the role of Burr is “arguably the best role for a male actor of colour in the musical theatre canon. You get to show all your colours. Nobody asks us to do that.” And if the show gave Blankenbuehler respite from fear and grief, he gave its physical gestures the truth of his experience. Even, eventually,. “I’m not making it up,” he would say of his choreography for that song. “[I know what it’s like] when someone you love is dying in your arms.”
Yet for others, the dissonance between the actors on stage and the historical figures they’re playing is precisely what givesits power. The Founding Fathers lied about eradicating slavery, Jackson has said: “They lied about it. They lied to themselves about it. It’s the great shame of our glorious country. [And] it’s still affecting me, my parents, our lives.
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