Exquisitely shot and superbly acted, Paris, 13th District is sexy, tender, and really, really French. nataliakeogan's review:
Paris, 13th District
, a melancholy yet tender-hearted exploration of millennial romance. Directed by Jacques Audiard and co-written by Audiard, Céline Sciamma and Léa Mysius, the film chronicles a series of love affairs—simultaneously fleeting and fated—amid a cluster of young adults living within the city’s titular arrondissement. In fact, the film’s native French title is, referring to the twelve buildings that serve as a commercial and residential hub in the treizième.
The film opens with Émilie reclining nude on a couch, drunkenly singing into a karaoke microphone and awaiting the embrace of her lover Camille . Their demeanor is playful and sweet, caressing each other with placid contentment. However, the film is quick to inform us that this is not, in fact, where their love story starts—rather, how it pans out in the present, bringing us back to demonstrate how “it began like this.
A few months later, Camille meets Nora , a former law student who dropped out mid-degree to escape a cruel rumor. They both end up working for the same real estate agency owned by Camille’s friend, a business in desperate need of revitalization. Luckily, Nora was a top-seller at her uncle’s agency in Bordeaux, and she swiftly gets the office in tip-top shape.
No character straddles the ever-shifting line of self-satisfaction and interpersonal dejection more perfectly than Émilie, if only because newcomer Zhang imbues the role with an authentic jolt of millennial malaise. Discontent with her job, her appearance, and her relationship with her family, she’s undoubtedly given the fullest narrative, though it’s often contingent on her despair.
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