Perspective: With a strong ending, “Succession” overcame its own character flaws
The verbose and witty Roys finish the series in silence. Having declared they’re all “nothing,” Roman ends the series at a bar, a hint of a smile on his cut-up face. An expressionless Shiv accepts Tom’s offer of a ride and gingerly touches his proffered hand. And Kendall , the figure “Succession” was always just a little too tempted to focus on — gets no taste of the sublime. If his final ascent to the throne is aborted, his fall has none of the elegance tragedy implies. It’s farcical. Ugly.
Over four seasons, HBO's "Succession" was filled with digs and insults. Here are some of the best PG-13 moments. It is necessary and correct to point out that people are complicated, even if they’re billionaires elevating a fascist president into office so they can make more money, and good art should reflect that. But sympathy — like symbolism — is a potent instrument, and it was and remains my position that “Succession’s” control of it has been interesting but imperfect.Take the moment when Kendall fires everyone at Vaulter.
And although Armstrong sounded surprised when he heard that reading, it’s plausible. The biggest challenge “Succession” faced in advance of the finale was defeating the temptation to overrate This kind of intelligent microanalysis is pretty typical of a lot of the discourse “Succession” has generated during its four-season run.lens is meritocratic, too, in ways that align with and valorize Logan’s success. It presumes, to be specific, that Logan — an egotist who surrounded himself with yes-men, made dissenters play “Boar on the Floor,” paid millions to protect “Mo” Lester McClintock and his ilk, imperiled the company with a secret $3.
he needs “an American,” but what he wants most is the aforementioned “pain sponge” to act as frontman while he slashes the company from within. And that’s all.
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