Preserving Black Women’s Stories as a Labor of Love

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Preserving Black Women’s Stories as a Labor of Love
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From the Archives: An interview with anthropologist Irma McClaurin dives into the process and meaning behind creating an archival home for Black feminist work.

, an acclaimed writer, poet, and playwright active during the Harlem Renaissance. Hurston’s career as a trailblazing anthropologist is less documented than her literary persona—likely because her fieldwork centered on her own community in Eatonville, Florida, and other Afro-descendant peoples and traditions throughout the Americas at a time when these issues were largely disapproved of in academic spaces.

That experience—along with others throughout her long career as an activist scholar, Black feminist speaker, poet, award-winning columnist, and consultant—compelled McClaurin to eventually start her own archive in 2016. The at the University of Massachusetts Amherst Libraries is a growing repository of materials that reflect Black women’s intellectual contributions from across the African diaspora.

SAPIENS fellow and anthropologist Eshe Lewis spoke to McClaurin by Zoom in August. This interview has been edited for length and clarity.I began very early on to save things. My mother saved the poetry books that I started writing when I was 8 years old. I understood that the drafts of my poems were as important as the finished product. It was important for me to see where I started and not just where I ended up.

Zora Neale Hurston conducted anthropological research in her hometown of Eatonville, Florida—one among many of her fieldwork sites in the U.S., the Caribbean, and Central America.You’ve spent a lot of time in the archives researching Zora Neale Hurston. What did you learn through that process?

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