V.F. editor RadhikaJones says Women on Women is 'full of women who are not like anybody else'
Vanity Fair profiles set themselves apart through the bracing, unflinching nature of the writer’s gaze. This is especially powerful and poignant when the gaze is female. Who could prepare for the scene inwhen Turner pulls the hem of her dress from her legs all the way up to her shoulders—no bra—and turns to show off her curves in profile. A showstopper, you’d think—but Orth doesn’t stop there.
But since this is also the resilient Tina Turner, she comes up singing. And at one point, Turner circles back to an almost confrontational question that Orth posed during their sessions together: Have you ever stood up for anything? Turner, with strength and vulnerability on display, revisits the question and responds, “I am happy that I’m not like anybody else. Because I really do believe that if I was different I might not be where I am today. You asked me if I ever stood up for anything.
is full of women who are not like anybody else—women who, in their singular ways, stood up for their lives, as they envisioned them, and in so doing, shaped the lives of multitudes.is a collection of classic profiles and essays about women by women. All these pieces appeared in the modern incarnation of the magazine, during the past thirty‐six years, though some travel further back, into the lives of icons such as Frida Kahlo and Grace Kelly, whose work and legacy endure.
Crowninshield—a social dynamo, art connoisseur, and uncanny arbiter of magazine talent—employed dozens of women writers and editors. Among his earliest hires was a budding essayist, humorist, and contrarian named Dorothy Rothschild . Among the most influential editors in Crowninshield’s crew was Clare Boothe Luce, who, after helping conceive what would becomemagazine in the 1930s, became a renowned playwright, member of Congress, U.S. ambassador to Italy, and an advisor to presidents.
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