SC103 Spring 2024 Ready-to-Wear collection, runway looks, beauty, models, and reviews.
You know the Wall Street area as a seat of power and a place of protest; now it also holds magic. In an unremarkable building, up three flights of stairs, Sophie Andes-Gascon and Claire McKinney have established a workshop, a home away from home, where photographs are taped to walls and their designs hang from nails in a row, sort of like Amish chairs.
Counterintuitive as it may seem, it was the designers’ use of structure that allowed the fantasy elements to soar. The cookie-cutter shift dress was added to SC103’s repertoire, offered in a gilded linen and multi-fabric versions. It’s neat, efficient, and pretty, sort of Claire McCardellish in concept.
“I think it felt like a risk in a way, following rules actually seemed more of a challenge and an interesting way,” McKinney noted. It was a boon, effectively controlling the cheery “chaos” of the decorations such as florets and gothic lettering. Metaphorically, it created a sandbox in which the duo could build castles.
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