A hip-hop artist had never received the prestigious Pulitzer Prize for music. That changed in 2018, when Compton’s KendrickLamar was awarded the honor for his album Damn, praised by the Pulitzer committee as “a virtuosic song collection...'
,” which sampled “Trans Europe Express,” had made Bambattaa and his Soulsonic Force a gold-selling act. He waved the flag for the Zulu Nation until he was removed from leadership in 2016 following multiple allegations of sexual abuse dating back decades. Since parting ways with Bambaataa, the Universal Zulu Nation has continued to push forward its message of hip-hop unity. — K.M.Brothers Gid, Tony and Greg Martin stood in a Harbor City backyard, plotting ways to earn some money.
On Oct. 20, 1979, high-school friends Angela Brown, Cheryl Cook and Gwendolyn Chisolm found themselves in a make-or-break audition. Like many adventurous teens at that culture-shifting moment in time, the Columbia, S.C., natives were enamored by a new musical art form that had defiantly risen out of New York’s impoverished South Bronx: hip-hop.
“Rapture’s” success foretold the genre’s potential on MTV, even as network execs more or less maintained a whites-only programming policy until CBS Records strong-armed them into airing Michael Jackson’s “ Although he wasn’t an MC, Fletcher wrote poetry. At his home in Elizabeth, N.J., he penned the lyrics to a song he called “The Jungle,” describing the rough social and economic conditions of the Black ghetto. “I lived across from a park, and I would hear a bottle get broken every once in a while, and I started with that ‘broken glass everywhere,’” Fletcher recalled of the opening line of “The Message.
“I still had that Texas twang, and as I was talking, Barry just started laughing,” Mack said. “I was like ‘What?’ and he said, ‘Man, I’m not laughing at you, I’m just feeling you. You’re like a breath of fresh air.’
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