Because you can never have too many fonts.
The Renaissance-inspired elegance of Didot and Bodoni has been refreshed for modern applications by the French foundry Synthview via the Operetta font family. Coming in eight weights – from Extralight through to Black – it has gorgeously smooth curves and razor-thin serifs.
The OH no Type Company is a relatively new foundry mainly specialising in pretty wild display typefaces, playing with reversed contrast, variable widths and so forth. However, its Viktor Script is breath of fresh air when it comes to type with handwritten appeal. This timeless classic is a favourite in the world of publishing, bringing an authoritative and cultured look and feel to the page. It’s highly legible at all weights and sizes, which is why it can be used for everything from front cover display type through to body copy.
Within Adobe Fonts there are plenty of typefaces designed for on-screen applications, suitable for everything from UX design to body copy on websites. Often you’ll want a sans serif in these situations, but Alegreya is a font family with robust yet classy serifs that defies convention.
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