With Guardians of the Galaxy Vol. 3, we say goodbye to the one trilogy in the MCU that actually felt creator-driven rather than flowchart-driven. rockmarooned goes long on the Guardians' place in the Marvel Galaxy:
, have bloated past a simple super-team-up of six or seven heroes;essentially assumes that responsibility, and its sense of all-inclusive epic is gnarlier, as well as more awkwardly emo. The Avengers’ loss inknockoff. Despite Star-Lord’s cheesy reverence for ’80s pop culture, the sense of loss pervading thecharacters is far more genuine: Star-Lord lost his mother early in his life. Drax is a warrior hiding the pain of losing his family.
It’s not unusual to sense filmmakers chafing at the Marvel parameters for their mega-productions, but Gunn may be the only director who works that pushback into his trilogy’s overall sensibility. Much of what hampersas a film seems to vex the characters to some degree, too: The fact that Gunn’s Guardians – and no, he didn’t create them whole-cloth, but he’s certainly responsible for this most popular and recognizable incarnation of them – have to keep living without him in between entries.
There’s some appeal to this exquisite-corpse style of sequelizing, where filmmakers are dealt a particular hand that they must either play, or work around. At the same time, it’s frustrating that Gunn could make perhaps the most wholly filmmaker-driven series within the MCU, and the larger corporate machinations still find ways to steal away bits and pieces.
on Twitter is a great way to find out about what he’s watching or listening to, and which terrifying flavor of Mountain Dew he has most recently consumed.
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