The Meaning of Sidney Poitier’s Historic 1964 Oscar

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The Meaning of Sidney Poitier’s Historic 1964 Oscar
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Winning the 1964 Academy Award for Best Actor was a complicated experience for the late Sidney Poitier, MJSchulman writes—and its symbolism became more curdled as the decades passed.

.” “I was being pushed to do the impossible.” The film was shot in fourteen days, on a shoestring budget, and it wears its politics lightly; the critic Bosley Crowther wrote that Poitier’s character “could be a white man just as well.” But, in 1963, on the heels of the, United Artists sensed an opportunity to sell the movie as a parable of tolerance.

Poitier viewed himself as “a dark horse, so to speak,” and considered not attending. Ultimately, he decided that “it would be good for black people to see themselves competing for the top honor,” he wrote, in “This Life.” As he sat in the audience, sweating and alone, he was seized with the fear of winning and saying something “dumb.

Poitier’s post-Oscar period was fruitful but frustrating. “I was now viewed as a fixture in the film world,” he wrote, “but my fellow black actors, almost to a man, were trapped in a drought of inactivity and unemployment that sapped and embittered whatever satisfaction they may have derived from the success of a single one of us.” As with McDaniel, the prize had ossified him, especially as times changed. In 1967, he starred in three films, whose combined box-office receipts made him the No.

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