‘The Old Oak’ Review: Strength, Solidarity And Resistance In A Vital, Moving Social Parable — Cannes Film Festival

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‘The Old Oak’ Review: Strength, Solidarity And Resistance In A Vital, Moving Social Parable — Cannes Film Festival
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What could well be Ken Loach’s final film has as much fire and fury as his debut Poor Cow did in 1967, if we discount his pioneering TV work in the run-up. The visual style hasn’t changed a great d…

The Partnership: Ken Loach And Paul Laverty On 'The Old Oak', Their Return To The North East Of England & The Chance To Make History By Winning A Third Palme D'Or

Local pub licensee T.J. Ballantyne comes to her aid, gallantly offering to fix the broken device and striking up a friendship with the woman, being impressed by her resilience after fleeing a war zone. This does not go down too well with the regulars at his pub The Old Oak, who see the refugees as an insult to their communities and an assault on their values.

Thematically and politically, Loach and Laverty throw everything they can think of at the screen, and it all sticks because it’s all true. After skewering the government’s handling of the health service in, the pair are taking a sawn-off shotgun to everything that’s left, chiefly the erosion of public spaces and the undermining of community spirit caused almost directly, by the Conservative party’s neoliberal capitalist philosophy.

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The Partnership: Ken Loach And Paul Laverty On ‘The Old Oak’, Their Return To The North East Of England & The Chance To Make History By Winning A Third Palme D’OrThe Partnership: Ken Loach And Paul Laverty On ‘The Old Oak’, Their Return To The North East Of England & The Chance To Make History By Winning A Third Palme D’OrOnly nine directors have ever won the Palme d’Or twice. Francis Ford Coppola did it in the ’70s with The Conversation and Apocalypse Now. Ruben Östlund joined the club last year after following The…
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