If you were one of the many swept up by the magic of Everything Everywhere All at Once, willdigravio explains how the short films of the Daniels led up to the blockbuster:
, as the film reaches its ultimate climax, as the fate of so much hangs in the balance, where James Hong, in the role of Gong Gong, while peeling a googly eye from his own eyelid, perfectly sums up the situation with just two words: “So stupid.”
The digital ubiquity of the Daniels’ early films feels fitting. So much of their work contains traces of that very specific sensibility, in part a byproduct from coming of age on and with the internet. Their experimentation with CGI and other special effects in particular recalls the kind of independent filmmaking that has flourished thanks to tools made more accessible by digital means. Also, they’re fresh and funny as hell.. A style of two filmmakers emerges across these works.
This short film is all about playing with its audience’s expectations. First, we witness a happy Christmas scene. Then, we see presents turned into mutilated corpses. After that, the gifts become vengeful hunters. This is the first of the films on this list to offer true visual richness and a narrative arc.
As is true with much of the Daniels’ films, here, everything is amped to the max. A common scenario is dialed up to achieve maximum visual and dramatic effect. The Daniels offer a blend of the familiar and the new. Much of their work clearly comes from a deep understanding of cliché, and a desire to flip it on its head with the possibilities of special effects. A 21st century, post-cinematic style of filmmaking comes to emerge..
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