How and why do men dress the way they do today?
, and gender-affirming Spanx – which cinch the silhouette to Greco-Roman proportions – was elucidating. But as the exhibition snaked into its second and third act, this style of assemblage began to feel lean too heavily on comparisons to silhouette, fabrication, and form, while flattening the respective designers’ extraordinarily different contexts of production.
Backdropped by a swell of anti-trans rhetoric in the British media, the exhibition understood that men’s fashion is a profoundly political set of principles, so potent that others will try to oppress it. Nigerian designer Adebayo Oke-Lawal of Orange Culture, who lent a piece to the exhibition says, “where I’m from, we’re attacked and killed for talking about this, so it’s imperative to have these kinds of conversations.
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