The first ever commercial photos taken at the edge of space.
As his relationship with the men and women at the USAF grew, Bunting formed a deep respect for their work and has repeatedly strived to capture their dedication the best way he knows how: through photos.In 2015, he began conversations with the team at Beale Air Force Base to come up with a way to provide that to the U2 program.
“Beyond the physical difficulties and the challenge of operating a camera while wearing a spacesuit, there were real mental battles that I would need to face in order to see this project through to its completion. Over the coming months, I quit drinking, started training three times a week, began meditating twice a day, and met with a psychologist to form a plan that would keep me focused throughout the flight,” Bunting explains.
Those who know Bunting best would recall how his eyes and demeanor changed over the course of the day. He was absolutely terrified.“The pinnacle of this fear came two nights before my flight. For the first time, I woke up convulsing — not shivering, but flat-out shaking. The questions of whether or not I could execute the photo shoot and return safely teamed up in a tour de force of terror around 3 AM.
Bunting, right, familiarizing himself with the cockpit of the U2 with Lt. Col. Richard “T-Bone” Lang . | Photo by Jaron Schneider “The thickness of the helmet muffled sounds, but I can still recall approaching the aircraft as some auxiliary engines ran, making the massive metal structure seem almost alive. What probably took around 45 minutes felt like an entire day.“My chosen gear was loaded into the cockpit along with me. After months of testing cameras and lenses, I decided to switch the primary lens I was going to use less than 24 hours before we were scheduled to lift off into the heavens.
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