Toronto Film Review: ‘The Capote Tapes’

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Toronto Film Review: ‘The Capote Tapes’
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The old line you hear about certain authors — he’s as much of a character as anyone in his books! — doesn’t tend to be true even when we say it. Yet in Truman Capote’s case, it’s virtually an…

— doesn’t tend to be true even when we say it. Yet in’s case, it’s virtually an understatement. No character he created on the page ever gave off quite the magnetic damaged resonance of his own.

Are there revelations? One or two. There’s great footage of Capote wandering the desolate back roads of Kansas during the years he was there reporting “In Cold Blood.” But the essence of “The Capote Tapes” is a kind ofTake, for instance, the Black and White Ball, the fabled masquerade ball that Capote threw at the Plaza Hotel on November 28, 1966. It’s an event that has been chronicled in great detail, yet watching “The Capote Tapes” you feel like you’re there.

The people on the tapes include Mailer, who tells a terrific story about drinking with Truman in an old Irish bar and realizing what adrenaline Capote must have lived with at every moment, and a friend who says that Capote swore by the motto, “Don’t ever let the truth get in the way of a good story.

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