Australian composer Samantha Wolf has taken the structure of a Bachelor season and translated it into a work of classical music, for Ensemble Offspring.
The Bachelorthe year before “I wanted to root for her,” says 33-year-old Wolf. “I wanted to see her find her happy ending. That was the first time I got into it.”But it was while Wolf was studying at the Yale School of Music during the pandemic that she and her housemates became hooked on the heady romance and copious roses of the American franchise.is watching it with my friends,” says Wolf. “I love talking about it the next day. I love rooting for people. I love hating someone.
“One of the questions I wanted to answer with this piece is, how do I bring this arc of reality TV with its ups and downs and its tropes and its silliness and its seriousness into instrumental music?” says Wolf.“These are forms that don’t normally go together – I wonder if there are ways that I can explore how they’re different and how they’re similar and find those connections.”
Wolf with Ensemble Offspring musician Lamorna Nightingale, collaborator Freya Schack-Arnott and artistic director Claire Edwardes.season for the 10-minute work. She started by watching past seasons and reading recaps before writing potential scenes. Then she played with the scripts, rewriting them as Shakespearean sonnets or in the style of Plato. Only then did she start to think about the music.
The “instrumental voice” of the Bachelor is the bass clarinet, as played by Jason Noble. “[It’s] something low and resonant, that cuts through.”dove-tailed with a change in Wolf’s creative practice. Previously, the young composer had been known for work about serious subjects, including violence against women. When she arrived at Yale in August 2019, she was determined to prove that she was good enough to be there, but struggled with writers’ block.
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