U.S. Streamers and Studios More Flexible in Engaging With European Producers – Locarno StepIN Takeaways via variety
The rules of engagement between U.S. studios and streamers and European producers are starting to change.
who is executive VP of worldwide acquisitions at Paramount Pictures and was also among the event’s keynote speakers] Similarly to the U.S., in Europe blockbusters have also recovered very well at the box office; but the arthouse sector remains very difficult. Audience trends are changing and it “definitely feels that OTT is a threat,” she said.
Think-Film’s Amy Shepherd, who was this session’s notetaker, pointed out that “Data is inherently biased in the way that it is collected and presented. Even some of the reports that exist around gender equality or what audiences want are missing a vital piece of the puzzle.” “We all want film festivals to be showcasing the best of the artistic quality; but if there is such a small amount of films submitted to festivals that are directed by women — for example — then there is always going to be an imbalance,” she noted.
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