Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House.
It is June 1983. At that year’s International Design Conference in Aspen , Apple Computer Inc’s Steve Jobs was invited to give a keynote talk on the future of computing. Unseen until now, thanks to the, the remarkable film shows a 28-year-old Jobs on the cusp of launching the Macintosh, already talking of the ways in which Apple would be bringing graphical excellence and simplicity to the PC market.
Right from the outset, Apple had vowed to create products with a ‘creative, professional manner,’ and Jobs’ own obsession with modern desigsn old and new took in everything from the clothes of Issey Miyake to the Tiffany lamp, the Sony Walkman and the cutting edge Italian industrial design of Bellini, Sottsass, Aulenti, and Sapper.
This, in part, was down to his admiration and understanding of the role of design. ‘Part of Steve’s brilliance was how he learned to support the creative process, encouraging and developing ideas even in large groups of people. He treated the process of creating with a rare and wonderful reverence,’ Ive writes.
Akris’ Albert Kriemler has collaborated with John Neumeier on the costumes for ’Epilogue’, the choreographer’s final ballet as artistic director of Hamburg Ballet. Here, Kriemler tells Wallpaper* about their enduring creative partnershipCadillac describes its all-electric four-seater convertible concept as an ‘ode to the sun’ as it moves even further upmarket© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved.
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