The famous studio was attempting a revival of fortune with The Black Cauldron, based on Welsh myths
Things were changing: the great man’s office had been ‘embalmed’, dismantled and taken to Disneyland to become ‘a shrine gazed upon by the masses’. That felt symbolic of the studio’s ambition to innovate and to finally match the joy of its earlier prestige productions, from. A ‘multimillion-pound resurrection’ was under way; veteran studio artist Eric Larson had examined the work of more than 1,000 young animators and cartoonists and hired 30 of the most imaginative.
Now that he had them, what had their feverish imaginations concocted? The revival had kicked off with a return to rodents., about a band of heroic mice, was ‘Disney’s biggest commercial and critical success in some years’. They were following up with, mixing animation and live action to bring the story of a ‘Mary Poppins with a tail and hot breath’ to life., based on a series of Welsh fairy tales.
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